Stories Through the dark– that is multiverse # 1: just how to Break A World

Stories From The Dark Multiverse: Flashpoint # 1

Author(s): Bryan Hitch

Artist(s): Bryan Hitch, Andrew Currie, Scott Hanna

Colorist(s): Alex Sinclair, Jeremiah Skipper


This darker, deadlier world and finally eclipse Barry Allen’s legacy in a world where the Flashpoint reality was never undone, where Thomas Wayne still haunts Gotham City dominican cupid search as the Batman, and the Amazonian and Atlantean armies still prepare for war, will the reverse-Flash embrace?


There’s one thing in regards to the loss of Superman. In out-of-continuity tales especially, killing the Kryptonian appears to be the action that drives house the tragedy regarding the narrative.

Also it’s that tragedy that generally seems to illustrate the concerns that stories through the Dark Multiverse asks through its speculative template: just what does it suggest for desire to perish? Whom kills it? So what does it try break world, and whom gets broken in the act?

Stories through the Dark Multiverse: Flashpoint may be the latest installment in this show, and even though the writing (from Bryan Hitch) is probably not as much as par with past dilemmas, its art (penciled by Bryan Hitch) a lot more than makes up for this. Over the method, Flashpoint digs in to the thesis concerns associated with show up to now, by what a “better world” means, who’s in charge of rendering it, and also the effects of this success or failure. It really works difficult to find an unifying thread coursing through the disparate activities, also it works.

Point of divergence: Barry Allen is killed into the moment that is climactic of capabilities being restored, making only the Reverse Flash.